论戏剧翻译中的译者主体性

论戏剧翻译中的译者主体性

论文摘要

戏剧是一门综合性艺术,是人类智慧的结晶。作为文学的一个组成部分,戏剧运用各种艺术手段,如导演,表演,音乐和美术设计等,多视角地反应社会文化生活。但是,无论是从广度还是深度上,国内外对戏剧翻译的研究远远少于对诗歌和小说翻译的研究。作者希望通过该论文的写作能够对这块受到冷落的翻译领域做出自己的努力。 本文首先简单介绍了戏剧的发展历史以及国内外对戏剧翻译的研究,强调译者在戏剧翻译过程当中的作用,然后,还讨论了在“文化转向”前后译者地位的变化。具体地分析了译者在译文的选择、翻译策略的应用、对原文的释义和操纵上拥有的余地和空间。因此,在戏剧翻译的评论当中很有必要考虑译者的因素。 戏剧翻译很少被从译者本身的角度进行研究,希望这一新的角度会对将来戏剧翻译的发展起到一定的作用。

论文目录

  • Declaration
  • Abstract
  • Acknowledgements
  • Chapter One Introduction
  • 1.1. The Object of This Paper
  • 1.2. The Composition of This Paper
  • Chapter Two A General Introduction to Drama
  • 2.1. Drama and Its Classification
  • 2.2. Development of Drama
  • 2.2.1. Drama in the West
  • 2.2.2. Drama in China
  • Chapter Three Generalization of Dramatic Texts Translation
  • 3.1. Literature Review on Dramatic Texts Translation Home and Abroad
  • 3.1.1. Overview of Dramatic Texts Translation in China
  • 3.1.2. Overview of Dramatic Texts Translation in the West
  • 3.2. Dramatic Texts Translation Studies: A Labyrinth in Literary Translation
  • 3.2.1 Dualistic Nature of Dramatic Texts Translation
  • 3.2.2. Particularities of Dramatic Texts Translation
  • 3.2.2.1. Different Target audience
  • 3.2.2.2. Musicality and Audibility
  • 3.2.2.3. Performability
  • 3.2.2.4. Brevity and Colloquialism of the Dramatic Language
  • 3.3. Conclusion
  • Chapter Four Theoretical Framework
  • 4.1. The Status of Translator in Traditional Translation Studies
  • 4.1.1. Literature Review on Traditional Translation Studies in China and in the West
  • 4.1.2. The Role of Traditional Translator
  • 4.1.2.1. The Translator as a faithful Servant
  • 4.1.2.2. The Invisible Translator
  • 4.1.2.3. Conclusion
  • 4.2. The Status of Translator since Cultural Turn in Translation Studies
  • 4.2.1. The Cultural Turn
  • 4.2.2. Recognition of Translator's Subjectivity
  • 4.2.3. Conclusion
  • Chapter Five Translator's Subjectivity and Dramatic Texts Translation
  • 5.1. Two Aspects worth Translator's Attention in Dramatic Texts Translation
  • 5.1.1. Reading Dramatic Texts as Literature
  • 5.1.2. Translating Dramatic Texts as Stage Performance Art
  • 5.2. Specific Application of Translator's Subjectivity in Dramatic Texts Translation
  • 5.2.1. Translator's subjectivity in Choosing the Source Text
  • 5.2.2 Translator's Subjectivity in the Choices in the Translating Process
  • 5.2.2.1. Translator's Subjectivity on the Analyzing the Original
  • 5.2.2.2 Translator's Subjectivity on the Style of the Target Text
  • 5.2.2.3. Translator's Subjectivity on the Specific Approaches
  • 5.2.3. Translator's Subjectivity in Interpreting the Source Text
  • 5.2.4. Translator's Subjectivity as the Manipulation of the Source Text
  • 5.3. Some Restriction in the Translator's Subjectivity
  • 5.3.1. Restrictions from Social Background
  • 5.3.2. Restrictions from Source Text
  • 5.3.3. Restrictions from Translator's Bilingual Competence
  • Chapter Six Conclusion
  • Bibliography
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    论戏剧翻译中的译者主体性
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