跨文化语境下文学翻译之创造性叛逆研究

论文摘要

传统翻译理论将翻译活动视为两种语言之间的转换,因而翻译研究一直以文本对照和语言分析为主要任务,忠实性原则一直是衡量翻译的最高标准,作为跨时空、跨语言、跨文化和跨学科的翻译活动,尤其是文学翻译活动,译者的创造性叛逆已成为翻译不可避免的本质特征之一。随着二十世纪七十年代后的“文化转向”,翻译研究突破了传统的美学或语言学的模式,上升为一种文化的反思。翻译研究的文化学派关注的不再是译作和原作的“对等”,而是采用描写性的研究方法对译作产生的社会、历史、文化背景以及译文对目的语文化的影响进行分析,从中揭示出在文化互渗的过程中不同文化交流时所产生的差异、碰撞和交流。本文正是在这些理论背景下以文化学派翻译观(主要是解构主义理论,多元系统理论,重写理论和操纵理论)为理论支撑,较为全面地介绍了历史上东西方中外学者对创造性叛逆的研究,试图从跨文化语境角度去阐释文学翻译中的创造性叛逆的必然性及其研究价值,并对翻译的主体性和创造性加以分析,以期对拓展和深化对于创造性叛逆及其文化研究领域影响的研究。

论文目录

• Abstract
• 摘要
• Introduction
• Chapter 1 General Descriptions of Literary Translation
• 1.1 Definition of Translation and Literary Translation
• 1.2 Features and Nature of Literary Translation
• 1.3 The Relationship between Literary Translation and Culture
• 1.3.1 A. Kroeber and Clyde Kluckhohn’s Contribution on Defining Culture
• 1.3.2 Many Views of Culture Summarized by Patrick R. Moran
• 1.3.3 The Distinctive Definition of Culture of Patrick R. Moran
• Chapter 2 General Survey of traditional Views on the Study of Literary Translation
• 2.1 Retrospect of Chinese and Western Views of Literary Translation in History
• 2.1.1 Retrospect of Chinese Views of Literary Translation in History
• 2.1.2 Retrospect of Western Views of Literary Translation in History
• 2.2 Unavoidability of “Creative Treason”in Literary Translation
• 2.2.1 Definition of “Creative Treason”
• 2.2.2 Unavoidability of “Creative Treason”in Literary Translation
• Chapter 3 Cultural Approaches to Literary Translation Studies
• 3.1 The Emergence of “Cultural Turn”in translation Studies
• 3.2 Cultural Approaches to Literary Translation Studies
• 3.2.1 Deconstruction Approach to Literary Translation
• 3.2.2 Poly-System Theory to Literary Translation
• 3.2.3 Rewriting Theory to Literary Translation
• 3.2.4 Manipulation School to Literary Translation
• 3.3 Summary
• Chapter 4 The Interpretation of “Creative Treason”in Cross-cultural Context
• 4.1 Translator and “Creative Treason”in Literary Translation
• 4.1.1 “Creative Treason”and Translator’s Subjectivity and Creativity
• 4.1.2 “Creative Treason”and Translator’s Literary Aesthetic sense
• 4.1.3 “Creative Treason”and Translator’s Purpose and Reader’s Reception in Target Culture
• 4.2 “Creative Treason”and Acculturation
• 4.2.1 Definition of Acculturation
• 4.2.2 “Creative Treason”and Ideology, Poetics and Patronage
• 4.2.3 “Creative Treason”and Acculturation
• 4.3 Three Values of “Creative Treason”in the study of Literary Translation in Cross-cultural Context
• 4.3.1 Confirming and Uplifting the Roles of Translators
• 4.3.2 Reinforcing Target Cultural Ideology and Poetics
• 4.3.3 Creating a New Perspective of Literary Translation
• Conclusion
• Bibliography
• Acknowledgements