诗歌翻译中美的“克隆”：传承与超越

论文摘要

诗歌是文学的最高形式,是人类语言艺术的瑰宝。它有很强的知识性、文化性和怡情性。翻译是用一种语言替代另一种语言的交际活动。由于文化差异等因素的影响,翻译是一门高难的文化活动,而诗歌翻译更是难中之难。本文借助翻译先驱者的理论及实践经验,特别是许渊冲教授的克隆论,探讨以下几点:首先探索中英诗歌的主要特点,回顾中外诗歌翻译的历程;其次分析英汉语言本身及其诗歌的异同,指出虽然英汉分属两个差异巨大的语系,但在诗歌创作的手法、技巧方面有许多异曲同工之妙;然后回顾了翻译理论,讨论诗歌(本文仅讨论格律诗)翻译过程中应注重的问题:风格与审美要求;最后结合丰富的实例,分别探讨了诗歌中“三美”(音韵美、节奏美和意境美)在英诗汉译与汉诗英译过程中的传承乃至超越,从而证明诗歌不但可译,而且能够译好,能够承担起传承乃至在某些层面上超越原作的跨文化传播任务。

论文目录

• 中文摘要
• Abstract
• 中文文摘
• Synopsis
• Chapter One Introduction
• Chapter Two Metrical Poetry
• 2.1 Chinese classic poetry
• 2.2 Features of English poetry
• Chapter Three Comparison Between Chinese and English and Their Poetry
• 3.1 Contrastive studies on English and Chinese
• 3.2 Comparison between features of Chinese and English poetry
• 3.3 Constructive study on English and Chinese poetry writing teqchnics
• Chapter Four Principles on Poetry Translation
• 4.1 A brief review of poetry translation
• 4.2 A brief review of translation theory
• 4.3 The requirement from Stylistics
• 4.4 The requirement from translation aesthetics
• Chapter Five The Cloning of Poetic Beauty in Translation
• 5.1 Cloning of rhythm
• 5.2 Cloning of rhyming scheme
• 5.3 The cloning of artistic conception
• Chapter Six Conclusion
• Bibliography
• Acknowledgements