东北二人转中话轮转换的适应性研究

论文摘要

话轮转换是日常会话中一个十分普遍的现象,但它在东北二人转中呈现出不同于日常会话的特点。东北二人转中特殊的话轮转换机制不仅奠定了它的基本会话类型,而且限制了会话参与者的言语行为。东北二人转通过男、女演员对各自会话环境的适应,即实现对观众的社会世界和心理世界的适应,从而达到演出的目的。本文旨在阐述这种适应模式以及会话环境对东北二人转中话轮转换的影响。本文以Jef Verschueren的适应理论为基础,从语用学的角度分析了男、女演员在话轮的开启阶段、展开阶段及终结阶段如何利用话轮转换来实现他们对各自会话环境的适应。在东北二人转节目中,节目的开始与结束通常由男演员来完成。在这两个阶段,男演员采用了特殊的话轮开启与终结手段。在话轮的展开阶段,观众的社会世界和心理世界对话轮转换的影响又体现在话轮类型的分配以及话轮的控制策略上。通过对男、女演员所使用的话轮控制策略的异同的探讨,我们发现男、女演员都巧妙地采用话轮控制策略完成他们对各自会话环境的适应。总之,观众的社会世界和心理世界对东北二人转中的话轮转换产生了很大的影响。男、女演员在话轮转换的过程中都在不断地适应他们各自的会话环境及其相应的角色。

论文目录

• Acknowledgements
• Abstract
• 摘要
• Chapter One Introduction
• 1.1 Historical Background of the Study
• 1.2 The Rationale of the Study
• 1.3 The Objectives of the Study
• 1.4 Research Problems
• 1.5 The Significance of the Study
• 1.6 Outline of the Thesis
• Chapter Two Literature Review
• 2.1 Introduction
• 2.2 Turn-taking Mechanism
• 2.2.1 The Studies of Turn
• 2.2.2 The Studies of Turn-taking Model
• 2.2.2.1 Turn-constructional Component
• 2.2.2.2 Turn-allocational Component
• 2.2.2.3 Turn-taking Rules
• 2.2.3 Methods of Yielding a Turn
• 2.2.4 Methods of Claiming a Turn
• 2.2.5 Interruption, Overlap and Insertion
• 2.3 Researches on Turn-taking in Different Settings
• 2.3.1 Turn-taking in Daily Conversation
• 2.3.2 Turn-taking in Institutional Settings
• 2.3.2.1 Researches on Clinical Interviews, Courtrooms and Meetings
• 2.3.2.2 Researches on Classrooms
• 2.4 Studies on Northeast song-and-dance duets
• 2.4.1 Definition and Origin
• 2.4.2 Performing Forms and Artistic Features
• 2.5 Summary
• Chapter Three Methodology
• 3.1 Introduction
• 3.2 Methodology of the Previous Study
• 3.3 Methodology of the Present Study
• 3.4 Data Collection
• 3.5 Summary
• Chapter Four Theoretical Framework
• 4.1 Introduction
• 4.2 Verschueren's Adaptation Theory
• 4.3 Turn-taking as a Realization Mechanism of Adaptation
• 4.3.1 Why is Turn-taking Specific in Northeast Song-and-Dance Duets
• 4.4 What do the Actor and the Actress Adapt to
• 4.5 The Actors' and the Actresses' Adaptation to Their Own Conversational Circumstance
• 4.6 Summary
• Chapter Five Analysis and Results
• 5.1 Introduction
• 5.2 The Actors' and the Actresses' Adaptation to Their Own Conversational Circumstance in the Phase of Turn Initiation
• 5.3 The Actors' and the Actresses' Adaptation to Their Own Conversational Circumstance in the Phase of Turn Development
• 5.3.1 Turn-type Allocation
• 5.3.2 Turn Control Strategies
• 5.3.2.1 Turn Yielding
• 5.3.2.1.1 Nomination
• 5.3.2.2 Turn Claiming
• 5.3.2.2.1 Insertion
• 5.3.2.2.2 Overlap
• 5.3.2.2.3 Interruption
• 5.3.2.2.4 Summary of Turn-claiming Methods
• 5.4 The Actors' and the Actresses' Adaptation to Their Own Conversational Circumstance in the Phase of Turn Ending
• 5.5 Summary
• Chapter Six Conclusion
• 6.1 Introduction
• 6.2 Discussion of the Results
• 6.3 Limitations of This Study
• 6.4 Suggestions for Future Research
• References
• Publications