论译者在唐诗英译中的审美介入

论文摘要

唐诗是中国诗歌史上的一颗璀璨明珠,也是中国五言、七言古今体诗的高峰。诗歌翻译不仅需要规则性的翻译技巧,而且更需要翻译主体审美经验的参与。译者作为语言的使用者和审美行为的发出人,会将自身的认知角度、审美观点等主观因素融入在译文中,所以,或多或少地烙有译者个人主观印记的译文表现出各自不同的艺术特色。本文旨在从译者主体性的角度,借助于美学理论获取原作的审美内涵,说明在唐诗英译中,译者的审美是一个寻找美、再现美的过程,是更高层次的翻译行为。作为审美主体的译者只有在用心体会原诗人的情和意的基础上,结合自己的美感体验和审美经验,才可能得到有创造性的译本。同时,本文作者认为翻译主体审美论为解决译坛上对直译还是意译这一争论提供了一个新的视角。

论文目录

• Acknowledgements
• Abstract
• 摘要
• Chapter 1 Introduction
• Chapter 2 Tang-dynasty Poetry
• 2.1 History of Tang-dynasty Poetry
• 2.1.1 Origin and Development
• 2.1.2 Representatives and Their Poems
• 2.2 Writing Style of Tang-dynasty Poetry
• 2.2.1 Comparison Between Tang-dynasty Poetry and Song-dynasty Lyric
• 2.2.2 Comparison Between Tang-dynasty Poetry and Classical English Poetry
• 2.2.3 Style of Tang-dynasty Poetry
• 2.3 Conclusion
• Chapter 3 Translation of Tang-dynasty Poetry
• 3.1 Translatability of Poetry
• 3.2 Theories Adopted in Translating Poetry
• 3.2.1 Equivalence Theory
• 3.2.2 Relevance Theory
• 3.3 Questions Related to These Theories
• 3.4 Conclusion
• Chapter 4 Subjective Aesthetics in Poetry Translation
• 4.1 Requirements for Translating Poetry
• 4.2 Aesthetic Thinking Mode
• 4.2.1 Conceptual Thinking Mode
• 4.2.2 Experiential Thinking Mode
• 4.3 Aesthetic Psychological Ability
• 4.4 Aesthetic Participation
• 4.4.1 Possibility of Participation
• 4.4.2 Aesthetic Object and Aesthetic Subject
• 4.4.3 Forms of Subjective Participation
• 4.5 Aesthetic Dialectics
• 4.6 Conclusion
• Chapter 5 Participation of Subjective Aesthetics in the Translation of Tang-dynasty Poetry
• 5.1 Reflection on Two Thinking Modes —— Conceptual Thinking Mode and Experiential Thinking Mide
• 5.2 Purpose of the Aesthetic Subject
• 5.3 Participation of the Aesthetic Subject
• 5.4 Functions of the Aesthetict Subject
• 5.4.1 Application of the Advantages of the Target Language
• 5.4.2 Reflection of the Beauty Embodied in the Source Text
• 5.5 Conclusion
• Chapter 6 Conclusion
• Bibliography