张爱玲《海上花列传》译本中的杂合现象研究

论文摘要

在中国现代文学史上，张爱玲是一位具有独特艺术风格的优秀作家。同时，她在翻译领域也有突出的成就。其中，对清末狭邪小说《海上花列传》的翻译是张爱玲对中国文学走向世界所作出的最为卓越的贡献。但她出色的翻译才华一直被其文学成就所掩盖，不为人所熟知。本文着重对张爱玲《海上花列传》英译本中的杂合现象进行全景式的研究，通过案例分析的方法对译例从语言、文化和文化杂合三方面进行分析，管窥张爱玲在翻译领域的艺术成就，突显出她作为双语作家兼翻译家所具备的非凡双语才能和翻译才华，以及她自由游走于两种文化间的从容。另外，在后殖民翻译研究语境下，张爱玲英译的《海上花列传》，作为一个典型的杂合译本，突出了汉语和英语的语言文化特点，彰显了中西方的文化差异，同时也为中国文化和文学走向世界作出了重要的贡献。通过以上研究，得出结论：张爱玲是一位出色的文学翻译家；在《海上花列传》翻译的过程中，她采用了归化与异化相结合的方法来处理两种语言、文化和文学因素，从而达到一种“杂合”状态，利于文化间的交流。最后，本文从翻译角度研究张爱玲，以期为张爱玲全面研究作出有益的补充。

论文目录

• ACKNOWLEDGEMENTS
• ABSTRACT
• 摘要
• LIST OF TABLES
• CHAPTER I INTRODUCTION
• 1.1 Research Background and Significance of the Thesis
• 1.2 Research Methods of the Thesis
• 1.3 Structure of the Thesis
• CHAPTER II LITERATURE REVIEW
• 2.1 Studies on Eileen Chang
• 2.2 Studies on Eileen Chang’s Translation
• 2.2.1 Studies on the Overall Review of Eileen Chang’s Translation Activities
• 2.2.2 Studies on a Certain Translated Work by Eileen Chang
• 2.2.3 Studies on Eileen Chang’s Self-translation
• 2.2.4 Studies on Eileen Chang’s Translation of The Sing-song Girls of Shanghai
• CHAPTER III HYBRIDITY IN TRANSLATION STUDIES
• 3.1 Hybridity in Different Disciplines
• 3.1.1 Hybridity in Natural Sciences
• 3.1.2 Hybridity in Linguistics
• 3.1.3 Hybridity in Literary Criticism
• 3.1.4 Hybridity in Cultural Studies
• 3.2 Hybridity in Translation Studies
• 3.2.1 Hybridity and Translation
• 3.2.2 Post-colonialism and Hybridity
• 3.2.3 Postcolonial Translation Studies and Hybridity
• 3.2.4 Hybridity and Domestication/Foreignization
• 3.3 Summary
• CHAPTER IV EILEEN CHANG AND THE SING-SONG GIRLS OF SHANGHAI28
• 4.1 A Brief Life Review of Eileen Chang
• 4.1.1 Eileen Chang as a Bilingual Writer
• 4.1.2 Eileen Chang as an Author-translator
• 4.1.3 Eileen Chang as a Translator
• 4.2 The Sing-song Girls of Shanghai
• 4.2.1 Eileen Chang and the Translation of The Sing-song Girls of Shanghai
• 4.2.2 The Translations of The Sing-song Girls of Shanghai
• 4.2.2.1 Intralingual Translation of The Sing-song Girls of Shanghai
• 4.2.2.2 Interlingual Translation of The Sing-song Girls of Shanghai
• CHAPTER V HYBRIDITY IN EILEEN CHANG’S THE SING-SONG GIRLS OF SHANGHAI
• 5.1 Hybridity in the Original Haishang Hua Liezhuan
• 5.2 Hybridity in The Sing-song Girls of Shanghai
• 5.2.1 Linguistic Hybridity
• 5.2.1.1 Translation of the Novel’s Title
• 5.2.1.2 Translation of Onomatopoeia
• 5.2.1.3 Translation of the Four-character Expressions
• 5.2.1.4 Translation of Color Words
• 5.2.1.5 Translation of Figures of Speech
• 5.2.2 Cultural Hybridity
• 5.2.2.1 Translation of Names
• 5.2.2.2 Translation of Appellations
• 5.2.2.3 Translation of Religious Culture
• 5.2.2.4 Translation of Costume Culture
• 5.2.2.5 Translation of Swearing
• 5.2.3 Literary Hybridity
• 5.2.3.1 Hybridity of Literary Genres
• 5.2.3.2 Hybridity of Literary Norms
• 5.2.3.3 Hybridity of Literary Techniques
• 5.2.3.4 Hybridity of the Literary Aesthetics
• 5.3 Hybridity in The Sing-song Girls of Shanghai in the Light of the Postcolonial Translation Studies
• 5.4 Eileen Chang’s Translation Strategies
• CHAPTER VI CONCLUSION
• NOTES
• REFERENCES
• APPENDIX