叶芝早期诗歌与前拉斐尔绘画

论文摘要

爱尔兰著名诗人威廉·巴特勒·叶芝是1923年诺贝尔文学奖的获得者。他被美国诗人T.S.艾略特誉为“二十世纪最伟大的英语诗人”。叶芝早期诗歌对前拉斐尔派绘画美学思想的吸纳是叶芝整体诗风的重要构成。本论文以叶芝早期诗歌为研究对象,着重分析讨论了早期叶芝诗歌创作的重要特征和前拉斐尔派美学思想,发掘其在选材、风格和表现手法上与前拉斐尔派绘画的关联性。前拉斐尔派的美学思想在叶芝早期诗歌中反映为感伤、避世、陌生化和唯美倾向。叶芝在诗歌创作手法上,不仅挪用了前拉斐尔派绘画的画面和其单纯的主色调,还通过空间感缺失、回环反复、象征等手法,使诗歌再现了前拉斐尔派的一些重要特点。这些在美学思想和创作手法上的借鉴有效地拓展了叶芝早期诗歌的言语表达空间。

论文目录

• 摘要
• Abstract
• Acknowledgements
• Chapter One Introduction
• Chapter Two Pre-Raphaelitism and Yeats's Early Poems
• 2.1 General Survey of Pre-Raphaelite Movement
• 2.2 Overview of Yeats's Early Poems
• 2.3 Yeats and the Pre-Raphaelites
• Chapter Three Pre-Raphaelite concepts in Yeats's Early Poems
• 3.1 Sentiment Prevailed in the Poems
• 3.2 Avoidance of Reality
• 3.3 Pursuit of Idealism
• 3.4 Exotic Themes and Defamiliarized Diction
• Chapter Four Appropriation of Elements from Pre-Raphaelite Paintings
• 4.1 Pictures in Yeats's Early Poems
• 4.2 Pictorial Narrative Strategy
• 4.3 Preference for Pre-Raphaelite Colours
• 4.4 From Allegoric Paintings to Symbolic Poetry
• Chapter Five Conclusion
• References
• Appendix