朗费罗诗歌通感隐喻的概念整合分析

论文摘要

本研究首先列举出朗费罗诗歌中的通感隐喻并通感定量及定性分析法总结出其诗歌通感隐喻的特征。然后通过概念整合理论定性分析其诗歌中的通感隐喻,以揭示影响诗人创作通感的一些内在因素如情感因素,认知风格去展示诗人的写作风格。因而为人们更好地欣赏朗费罗诗歌提供新的观赏角度,在人们能更好地了解朗费罗的诗作的同时更好地掌握通感隐喻在文学作品中的运用规则及其特殊的情感功能。基于上述研究目的,本文提出以下问题：(])朗费罗诗歌中的通感隐喻有何特征?(2)朗费罗在通感运用方面有何倾向?朗费罗诗歌中的通感映射是否遵循乌尔曼提出的结论。(3)影响朗费罗创作通感的认知因素是什么?针对以上问题,本文以《朗费罗诗歌集》中的217例通感隐喻为分析语料并采用了定量分析和定性分析方法,前者用来统计分析朗费罗诗歌中各种通感出现的频率,后者用来总结出诗人使用通感的特征和倾向性并发掘出影响朗费罗创作通感的认知因素。基于以上研究方法,本文得出以下结论：(1)朗费罗倾向于运用某几个特定的词以创作各类通感隐喻,这能生动反映出作者的即使情感及写作风格。(2)通过对朗费罗诗歌中的通感隐喻进行展示及分类,由于朗费罗诗歌中通感的映射遵循乌尔曼提出的“等级分布”,且触觉和视觉分别是主要的源域和主要的目标域,因而笔者总结出朗费罗创作的通感隐喻遵循乌尔曼发现的规律。(3)通过概念整合理论分析朗费罗诗歌中的典型通感隐喻,笔者可以得出如下几点结论：①在写作风格方面,朗费罗善于通过客观环境来间接揭露其主观情感,并善于运用修辞来美化诗句。②在认知视角方面,他的认知视角是较低级的感官感觉。③在认知风格方面,其认知风格属于场独立型。

论文目录

• Acknowledgements
• Abstract
• 摘要
• List of Tables
• List of Figures
• Chapter One Introduction
• 1.1 Rationale for the Thesis
• 1.2 Objectives and Significance
• 1.3 Data Collection and Research Methodology
• 1.4 The Organization of the Thesis
• Chapter Two Literature Review of Synaesthetic Studies
• 2.1 Studies from the Perspective of Directionality
• 2.2 Studies from Neuropsychological Perspective
• 2.3 Studies from the Rhetorical Perspective
• 2.4 Studies from Cognitive Perspectives
• 2.4.1 Synaesthetic Metaphor and CMT
• 2.4.2 Synaesthetic Metaphor and CIT
• Chapter Three Theoretical Framework - Conceptual Integration Theory
• 3.1 The Classic Network Model of CIT
• 3.1.1 The Important Concepts of the Model
• 3.1.2 Three Basic Processes in the Blend
• 3.2 CIT and Synaesthesia
• 3.2.1 Single Synaesthetic Metaphor and Two-Space Model
• 3.2.2 Composite Synaesthetic Metaphor and Many-Space Model
• 3.3 Summary
• Chapter Four Synaesthetic Metaphors in Longfellow's Poems
• 4.1 Introduction of Longfellow and His Poems
• 4.2 Synaesthetic Metaphors in Longfellow's Poems
• 4.2.1 The Overall Presentation of Synaesthetic Metaphors in Longfellow's Poems
• 4.2.2 The Specific Presentation of Synaesthetic Metaphors in Longfellow's Poems
• 4.2.2.1 The Transfer from Touch to Other Sensory Perceptions
• 4.2.2.2 The Transfer from Temperature to Other Sensory Perceptions
• 4.2.2.3 The Transfer from Taste to Other Sensory Perceptions
• 4.2.2.4 The Transfer from Smell to Other Sensory Perceptions
• 4.2.2.5 The Transfer from Hearing to Other Sensory Perceptions
• 4.2.2.6 The Transfer from Vision to Other Sensory Perceptions
• 4.2.2.7 Composite Synaesthesia
• 4.3 Summary
• Chapter Five CIT-Based Analysis of Synaesthetic Metaphors in Longfellow'sPoems
• 5.1 CIT-Based Analysis of Synaesthetic Metaphor from Temperature to Hearing
• 5.2 CIT-Based Analysis of Synaesthetic Metaphor from Taste to Hearing
• 5.3 CIT-Based Analysis of Synaesthetic Metaphor from Hearing to Smell
• 5.4 CIT-Based Analysis of Synaesthetic Metaphor fom Vision to Hearing
• 5.5 CIT-Based Analysis of Composite Synaesthetic Metaphors
• 5.6 Summary
• Chapter Six Conclusion
• 6.1 M ajor Findings of This Research
• 6.2 Implications of this Research
• 6.3 Limitations of this Research
• 6.4 Suggestions for Further Study
• References
• Papers Published During Postgraduate Period