概念整合理论对相声的解释力

论文摘要

本文运用概念整合理论和概念整合网络从认知的层面对相声这一独具中国特色的艺术表演形式进行分析,旨在说明概念整合这种认识活动有着普遍性,有着极强的认知解释力。另外,通过对具体相声语料的分析证明可以运用概念整合理论来分析相声幽默效果的产生过程,从而为相声研究提供了一个新的研究角度,同时也扩大了概念整合理论的解释范围,从某种程度上对概念整合理论也是一种充实。本文选取一些中国相声界著名表演艺术家的相声语料为分析样本,以组织框架的投射为依据进行分类,利用输入空间、整合空间、类属空间、跨空间映射、层创结构和关系压缩等概念对已选语料进行分析,并根据组织框架的投射方式,从而得出相声幽默效果的产生主要涉及五类网络模型：单向框架网络、框架网络、单向网络、双向网络和多边网络。

论文目录

• 摘要
• Abstract
• Chapter One Introduction
• 1.1 Objective of the study
• 1.2 Purpose of my study
• 1.3 Organization of the thesis
• Chapter Two Literature Review
• 2.1 Studies on humor
• 2.1.1 Western humor theories
• 2.1.2 Chinese humor theories
• 2.2 Previous studies on Chinese cross talk
• 2.2.1 Rhetorical studies on Chinese cross talk
• 2.2.2 Pragmatic studies on Chinese cross talk
• 2.2.3 Cognitive studies on Chinese cross talk
• 2.3 Summary
• Chapter Three Conceptual Integration Theory
• 3.1 Factors of conceptual integration
• 3.1.1 Space
• 3.1.2 Frame
• 3.1.3 Mappings & projection
• 3.2 Conceptual integration network
• 3.3 Emergent structure and the process of conceptual integration
• 3.3.1 Emergent structure
• 3.3.2 The process of conceptual integration
• 3.4 Types of integration networks
• 3.4.1 Organizing frame
• 3.4.2 Simplex networks
• 3.4.3 Mirror networks
• 3.4.4 Single-scope networks
• 3.4.5 Double-scope networks
• 3.4.6 Multiple blending
• 3.5 Vital relations and compressions
• 3.5.1 Vital relations
• 3.5.2 A taxonomy of vital relations and their compressions
• Chapter Four Conceptual Integration Networks As Applied in Chinese Cross Talk
• 4.1 Methodology
• 4.2 Case studies
• 4.2.1 Simplex networks
• 4.2.2 Mirror networks
• 4.2.3 Single-scope networks
• 4.2.4 Double-scope networks
• 4.2.5 Multiple blend networks
• Chapter Five Conclusion
• Bibliography
• Acknowledgements
• Publication