从译者的主体性看许渊冲唐诗英译

论文摘要

随着翻译研究的文化转向,译者的身份由仆人成为翻译的主体。译者的心理,译者的决策过程逐渐得到了关注。作为翻译过程的唯一积极主体,译者的地位逐渐得到承认和重视。本文从阐释学和接受美学的角度,采用比较的方法探讨译者主体性在文学翻译中的具体表现。文章认为译者主体性受到译者的先见、文化意识、美学观、翻译目的以及个人翻译主张等因素的潜在影响。文学翻译,特别是古诗翻译是一个复杂而又能动的对话过程,译者作为这一过程的实施主体,既要全面理解原诗精髓,又要充分发挥其主体性进行创造性的翻译。我国当代著名翻译家许渊冲教授在中诗外译方面做出了很大贡献。他的翻译实践富有个性,其翻译理论极具挑战性,其译者主体性表现得尤为突出。本文从许渊冲的个人兴趣、翻译动机、文化意识、审美观、翻译理论和他的改译方面,结合大量实证分析了许渊冲在唐诗英译中的主体性表现。本文认为许渊冲的改译下意识地反映了其对美的追求、对简约风格的强调和对读者期待的关注。在“视野期待”、“视野融合”的理论基础上,文章通过分析许渊冲翻译理论和翻译实践的局限性进而提出译者的主体性并不是随心所欲的,恰当的主体性才是翻译过程中所要追求的。译者主体必须在坚持正确的审美观、翻译观、文化观、目的论的同时充分关注译者和作者、译者和读者间的视野融合,并使其达到最大化才能正确而充分地发挥其主体性,做出正确的翻译抉择,从而产生优秀的译作。

论文目录

ACKNOWLEDGEMENTS

摘要

Abstract

Chapter One Introduction

1.1 Significance of the Study

1.2 Structure of the Thesis

Chapter Two Literature Review

2.1 Hermeneutics

2.2 Aesthetics of Reception

2.2.1 Horizon of Expectations

2.2.2 Fusion of Horizons

2.3 Translator’s Subjectivity

2.3.1 Subjectivity

2.3.2 The subject in translation

2.3.3 Translator’s Subjectivity

2.4 The factors involved in the Translator’s Subjectivity

2.4.1 Prejudice and Presupposition

2.4.2 Translation Skopos

2.4.3 Cultural Awareness

2.4.4 Aesthetic Beliefs and Personal Interest

2.4.5 Ideas on Translation

Chapter Three Xu' s Subjectivity in Translation of Tang Poems

3.1 An Introduction to Xu Yuanchong

3.2 His Translation career

3.3 His Translation theory

3.4 Xu' s Subjectivity in Translation of Tang Poems

3.4.1 Xu’s Personal Interest as A Translator

3.4.2 Xu’s Translation Motivation

3.4.3 Xu’s Special Cultural Attitude

3.4.4 Xu’s Aesthetic Attitude

3.4.5 Translator’s Subjectivity Reflected in Xu’s Translation Theory

3.4.5.1 Xu’s view on the Nature of Translation: An Art of Beauty Creation

3.4.5.2 Xu’s Translation Principles: Theory of Rivalry and Theory of Advantage

3.4.5.3 Xu’s Translation Standard: three Beauties

3.4.6 Xu’s attitude towards translation revision

3.4.6.1 The subjectivity to create beauty

3.4.6.2 The subjectivity to pursuit the style of neatness and concise

3.4.6.3 The subjectivity to meet the Expectations of readers

Chapter Four Xu’s Limitations in the Translation of Tang Poems

4.1 Limitation in Beautifulization

4.2 Limitations in rhymed translation

4.3 Limitations in Rivalry theory

Chapter Five Conclusion: Translator's Appropriate Subjectivity

5.1 Fusion of horizon between the translator and the author

5.2 Fusion of horizon between the translator and the target reader

Bibliography

从译者的主体性看许渊冲唐诗英译

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