“和谐”说视角下的诗歌翻译 ——以《长干行》译文为例

论文摘要

诗歌翻译是文学翻译中的一个重要领域,以往学术界在宏观上对于翻译理论的探讨和微观上对翻译方法的具体应用,经常是顾此失彼,不能达到理论与实践的有机平衡,郑海凌的“和谐”说正好弥补了这一缺陷将两者恰到好处地结合起来。诗歌翻译中的“和谐”说是指在诗歌翻译过程中找到一个较为恰当的平衡点,既要从宏观角度把握翻译理论,同时也要有针对具体问题的可操作性细则指导实践,即在翻译过程中从整体着眼,局部入手,动态把握各种对立因素,进而达到诗歌翻译的和谐。为了证明“和谐”说的功用,本论文以庞德翻译李白的《长干行》为个案,具体论证了诗歌翻译中的“和谐”说,这种方法属于典型的举例论证。论文共分为五个部分,第一部分介绍了论文的写作目的、研究意义和文章结构；第二部分从理论探究入手,介绍了翻译理论的发展,以及文学翻译中“和谐”说的提出。在此基础上,具体介绍了诗歌翻译中的“和谐”说,即既要注重宏观与微观的结合,又要讲求信与美的统一；第三部分对庞德与其所翻译的《华夏集》进行了简单的介绍,并重点介绍了李白的诗歌《长干行》以及庞德的翻译。第四部分结合庞德对李白《长干行》的翻译,具体分析了“和谐”说在诗歌翻译中的应用；第五部分是整篇论文的结论,并对“和谐”说在其它文学体裁中的应用,及其可能存在的问题提出了一些尝试性建议。通过本文的研究不难发现,“和谐”说可以成为诗歌翻译中的一个标准,并且无论在理论上,还是在实践中它都意义重大,并对其它文学体裁的翻译研究具有启示作用。

论文目录

Acknowledgements

Abstract

摘要

Chapter 1 Introduction

1.1 Purpose of the thesis

1.2 Significance of the thesis

1.3 Organization of the thesis

Chapter 2 Harmony Theory on Translation

2.1 Zheng Hailing's Harmony Theory on Translation

2.1.1 The concept of harmony

2.1.2 The link between harmony and translation

2.1.3 Development of the relationship between harmony and translation

2.1.4 The content of Harmony Theory

2.2 Five aspects of Harmony Theory

2.2.1 Aspect of aesthetics

2.2.2 Aspect of unity

2.2.3 Aspect of universalism

2.2.4 Aspect of dialectics

2.2.5 Aspect of creativity

2.3 Harmony Theory in poetry translation

2.3.1 Poetry translation

2.3.2 Adoption of Harmony Theory in poetry translation

Chapter 3 Brief introduction of The River-Merchant's Wife:A Letter

3.1 Brief introduction of Pound and his translation

3.1.1 Cathay and his translation ideas

3.1.2 General evaluation of Pound's translation

3.2 Brief introduction to The River-Merchant's Wife: A Letter

3.2.1 Content of the poem

3.2.2 General evaluation of Pound's translation of the poem

Chapter 4 Harmony Theory on The River-Merchant's Wife: A Letter

4.1 Manifestation of aesthetics

4.1.1 Aesthetics and Imagism

4.1.2 Images in the original poem

4.1.3 Images and representation in translation

4.2. Manifestation of unity and universalism

4.2.1 Relationship between unity and universalism

4.2.2 Unity and universalism in the original poem

4.2.3 Representation of unity and universalism in translation

4.3 Manifestation of dialectics and creativity

4.3.1 Relationship between dialectics and creativity

4.3.2 Untranslatable part in the original poem

4.3.3 Representation of dialectics and creativity in translation

Chapter 5 Conclusion

Bibliography

Papers published during 2009-2012

“和谐”说视角下的诗歌翻译 ——以《长干行》译文为例

论文摘要

论文目录

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