论许渊冲唐诗翻译中的主体性发挥

论文摘要

最近几十年,译者的主体性成为翻译界的一个热门研究课题。虽然有关译者主体性的研究和论文数很多,但是谈到在具体的翻译实践中,该如何判断译者的主体性是不是得到了适当的发挥的研究或者论文却不多见。如果没有建立评判译者主体性发挥的标准,那么我们对译文的评价就会是主观的经验之谈或者没有说服力。本文以译者主体性为理论基础,对有关译者主体性的研究进行了阐述。然后结合对许渊冲的唐诗翻译的评价和与其他译文的对比分析,从文学再创造和译者的主体性入手,探讨了许渊冲诗学翻译思想以及他本人在诗歌翻译实践中译者主体性的发挥及其适宜度的问题。本文研究表明:一,翻译过程中必须充分发挥译者的主体性,但是主体性的发挥并不是没有限制的。二,译者主体性的发挥必须以度限之。要把握好这个度,译者就必须处理好主体间性规约的、译者自身与原作、原作者和读者之间的和谐关系。三,许渊冲的唐诗翻译也应该经受译者主体性发挥适宜度的检验。

论文目录

• 摘要
• ABSTRACT
• Chapter One Introduction
• 1.1 Thoughts on Translation and A Brief Introduction to Xu Yuanchong and his Translation
• 1.1.1 Thoughts on Translation
• 1.1.2 A Brief Introduction to Xu Yuanchong and His Translation
• 1.2 Purpose in Choosing the Topic for the Research
• 1.3 Research Significance
• 1.4 Research Methodology
• 1.5 Research Feasibilities
• 1.6 the Organization of the Essay
• Chapter Two Literature Review
• 2.1 Historical Review of the Translator’s Status
• 2.2 Different Ideas on Translator’s Subjectivity
• 2.2.1 Transltor’s Subjectivity in a Constrained Way
• 2.2.2 Translator’s Subjectivity in an Unconstrained Way
• Chapter Three Theory of Subjectivity as the Theoretical Basis
• 3.1 Definitions of Subject and Object
• 3.2 Marx and Engel's Understandings of Subject and Subjectivity
• 3.3 Translator's Subjectivity in Hermeneutics
• 3.4 Translator's Subjectivity in Cultural Studies
• Chapter Four Xu Yuanchong’s Subjectivity in Tang Poetry Translation and Criterion for Judging his Performance
• 4.1 Comments on Xu Yuanchong’s Subjectivity in Tang Poetry Translation
• 4.1.1 Praise for Xu’s Tang Poetry Translation
• 4.1.2 Disagreement with Xu Yuanchong’s Tang Poetry Translation
• 4.2 Translatability of Poems
• 4.2.1 Diffulties in Poetry Translation
• 4.2.2 Brief Introduction to Ancient Chinese Poetry and its Characteristics
• 4.2.3 The Difference between Chinese and English Poetry
• 4.3 Criterion for Judging the Exercise of the Translator’s subjectivity
• 4.3.1 Several Definitions of Intersubjectivity
• 4.3.2 Intersubjectivity in Poetry Translation
• 4.3.3 The Formulation of the Criterion
• Chapter Five XU’S Appropriate Exercise of Translator'sSubjectivity in Tang Poetry Translation
• 5.1 Appropriate Exercise of Translator's Subjectivity in the Reproduction of the Beauty in Sense
• 5.2 Appropriate Exercise of Translator's Subjectivity in the Reproduction of the Beauty in Sound
• 5.3 Appropriate Exercise of Translator’s Subjectivity in the Reproduction of the Beauty in Form
• Chapter Six Xu’s Inappropriate Exercise of Translator's Subjectivity in Poetry Translation
• 6.1 Inappropriate Exercise of Translator's Subjectivity in the Reproduction of the Beauty in Sense
• 6.2 Inappropriate Exercise of Translator's Subjectivity in the Reproduction of the Beauty in Sound
• 6.3 Inappropriate Exercise of Translator's Subjectivity in the Reproduction of the Beauty in Form
• Chapter Seven Conclusion
• Acknowledgments
• References
• Appendix----Academic Writing