论文摘要
本文以译者的主体性为视角出发,探讨文学翻译中译者的创造性叛逆现象。在传统的翻译研究中,译者被看作是“仆人”,要忠实于原作者,还要忠实于读者。然而,在文学翻译实践中,由于不同文化之间的诗学性,意识形态,以及赞助人的差异,译者很难做到完全忠实于原作。译者只能根据其翻译需要对原文进行必要的创造及背叛,即文学翻译中的创造性叛逆。一部好的文学翻译,其翻译的过程应该是一次创作的过程,它包含了译者在整个翻译过程中的主观能动性。译者的主体性和文学翻译的创造性叛逆是相结合的,也应是翻译领域里值得继续研究的课题。
论文目录
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